Thursday, August 27, 2015
Queerness and Corn: Tom at the Farm (Xavier Dolan, 2014)
The two images above offer a snapshot of the stylistic differences one can come to expect from Xavier Dolan's attempt at stripping down his aesthetics to suit the text surrounding his queer thriller, Tom at the Farm. In Laurence Anyways and Mommy, Dolan's style could be more easily associated with fashionable romanticism and blunt metaphorical imagery (especially in the case of Laurence). Tom operates on a different level; replacing the vibrancy of colours with muted browns, and grandiosity substituted for something more altogether minimal.
What is most fascinating about the sudden shift for Dolan is how it plays into how queerness operates on a metropolitan and regional level. In some ways, arriving in this small town, and in making this movie Dolan has closeted what has distinctly made him a remarkable filmmaker to date, and that is perhaps the greatest metaphor he could have offered in visualizing the differences between small town and metropolitan queerness in Canada. It doesn't completely work, but it's a fascinating idea. When push comes to shove Dolan can't help, but overemphasize things. Aspect ratios shift, Tom's (played by Dolan) hair matching the cornfield exactly as he sprints in a breath-taking sequence, and the karaoke flashback seems more appropriate in his previous films. The closet then, cannot hold Dolan, just like it cannot hold Tom.