Originally posted on Letterboxd
I find it a little bit odd that my two favourite bands (Metallica, Bikini Kill) from my teenage years ended up getting films made about them in 2013 (the other being The Punk Singer). My relationship with Metallica is a lot less complicated than the one I have with Bikini Kill. It basically comes down to the fact that I always thought their music kicked ass, and as juvenile as it sounds that's still pretty much the crux of my relationship with Metallica. There was a time when I was so heavily into the band that I listened to Master of Puppets daily. My relationship has since cooled, but that doesn't mean I didn't enjoy the sheer absurdity of Metallica's Apocalypse Concert film Through The Never.
However, the concert itself is where I think most of the strength of the picture lies. They recreate some of their albums covers on stage and even go back through some of their greatest hits of stage antics (the flaming man who ruins the stage is taken from 1996's Cunning Stunts and Lady Justice falling apart was a staple of their ...And Justice For All tour in the late 80s). It's always fascinating to watch and never feels like four guys just playing on stage. They definitely perform with the intentions of the stage show being as great as the music they perform and that was an admirable decision. Nimrod Antal also keeps the show interesting in the way he shoots the band. His framing is way above par for the home video releases of the previous concert films the band has released and also injects some nice visual moments into the picture. One moment of hazy red lighting from above casting a warmness over Hetfield as he stands between each cymbal on the left and right side of the drum set was an especially strong image, and probably the finest visual moment at hand.